The Quiet Daybed:
This design naturally eliminates the need for verbal communication for users to behave in the environment.
The expressive typography of the onomatopoeia “Shhh” is engaged as a daybed, which captures the poet of the words, acting upon the meaning of the word and beyond. It rather becomes pictures, space, and time leaving room for the animated imaginations of the user through the text and ripple on the seat, portraying the effect of the sound within the word, leaving subvocalised sounds for the user's mind. Variations of appropriate locations and users can range from libraries to ones looking for quietness, waiting rooms, and even crowded places for all ages from youths to adults. As interpretation is prominently recognized through a visual sketchpad.
Ah! It’s a chair:
The sculptural onomatopoeia phenomena of the chair are visible and palpable from all angles, due to the rational extrusion as the “A” and the “h”, wanting to be visible through the design and process of the onomatopoeia enemata. As the “h” is spread out it reveals a more announced and prolonged “h” that is additionally personalized to the user, which could be determined as a realization: “Ahhhhh” or a surprised: “Ah!”, phenomenal in the way of the onomatopoeia. The vibrancy and connection provide the user with satisfaction in the given context of the environment of learning, varying in classrooms, study rooms, and studios. The bright red-orange color directly stimulates and symbolizes vitality and passion through a natural psychosomatic response, when there are no soft edges within the product producing formality and order, as one is refreshed with control over its stimulation, bringing forward the full circle of the narrative within the functionality need of the onomatopoeia series.
Oh! Awe Chair, Pouffe, and Pillow
The color between green and yellow signals a change of mind, a surprise, awe, and becoming memories; therefore, the sculptural onomatopoeia phenomenon is visible and palpable from all angles, contributing to the effect of “Hmm and Oh”. The bright color contrast between the pillow, chair, and pouffe accentuates the enemata, such as a knee-jerk reaction through the object, without thought. It is a direct expression, abandoning the formal graphic layout for a more dynamic, expressive one, capturing the natural dynamism within “hmmm” and “Oh”. By using the text and movements of the design to present reality, experiences, and atmosphere through the group dynamics of the connection between the text and the exclamation mark, anticipating the reaction and context of the environment, including actions that the user is performing. As the product becomes a full circle, the beginning, middle, and end, no matter the order of recognizing the text and punctuation, the narrative unfolds.